How and why is a body we see as ‘deformed’ able to arouse strong affective and aesthetic responses? Andries Hiskes explores how, where, and when a body is presented to us matters in how we experience it through a discussion of the film The Elephant Man.
The Fukuoka Asian Art Museum dedicates its activity to modern and contemporary art from Asia and it is the only museum of the world of its kind. In November 2017, the museum witnessed an exceptional conflation of Southeast Asian art in its program.
Looi van Kessel and Nynke Feenstra collaborate in a blog series on the intersection of different minoritizing identifications. In this series final, they reflect on the main insights they have acquired while writing this series.