Lieke Smits is Lecturer at Leiden University Centre for the Arts in SocietyProfile page
After a visitor broke Jeff Koons' Gazing Ball (Perugino Madonna and Child with Four Saints), which was exhibited in the Nieuwe Kerk, the curator expressed his surprise about visitors touching art. In this post I argue that it is actually common practice.
Over the past week colonial heritage has been the subject of a public debate in the Netherlands, called the 'Beeldenstorm' discussion. Why is this term used and how does it frame a variety of views as iconoclastic?