What is Moscow Conceptualism? A late Soviet art movement that is part of our contemporary art canon or a rumor? Cultural historian Dorine Schellens sheds light on this question by looking at the interconnection between academic and artistic worlds.
How and why is a body we see as ‘deformed’ able to arouse strong affective and aesthetic responses? Andries Hiskes explores how, where, and when a body is presented to us matters in how we experience it through a discussion of the film The Elephant Man.